End of Part One arrived on screens in 1979. Devised by David Renwick and Andrew Marshall, the series borrowed concepts from Monty Python’s Flying Circus and paved the way for satirical sketch shows such as Not the Nine O’Clock News and The Fast Show.
The first season of End of Part One centres roughly around the Straightman couple who are the latest inhabitants of a northern soap opera. As they go about their lives they collide with characters from other shows, stumbling into commercial breaks and encountering all manner of technical effects. Essentially a bridge between sketches and impersonations, Norman and Vera’s scenes clearly attempt to subvert the inanity of Seventies’ soap and sitcom, effectively slaughtering Coronation Street and twisting the knife in Terry and June.
Most of my dramatic writing is either inspired by true stories or based on historical events.
When I was researching The Man With The Plastic Heart, a drama surrounding the events of the first permanent artificial heart implant, I provided the following critical commentary which evaluates the creative process and ethics of documentary drama.
The Fact of Fiction
When Barney Clark was implanted with the Jarvik-7 in 1982, America watched intently as a grandfather, in pyjamas and dressing gown, spoke lightly in the absence of his own heart. Twenty-five years later, details of what occurred behind the hospital curtains are clearer, providing an opportune moment to dramatically re-present the events that eventually destroyed an ambitious heart surgeon, and transformed a retired dentist into an American hero.
An Audience With Jasper Carrot, the breakthrough 1977 series for the famous stand-up comedian, saw its premier release on DVD almost thirty-five years since its original broadcast on ITV.
Jasper Carrott’s stand-up routines, once a staple diet of televised comedy during the Eighties and Nineties, have taken a backseat with his last offering, Back to the Front, broadcast over fifteen years ago. Incredibly popular at the time with family audiences, Carrott’s shows have been eclipsed in recent years, and to younger viewers he is perhaps something of a mystery. As such, the DVD release of An Audience With gives a new generation the opportunity to experience the popular performer anew, as a comic talent who defined the new wave of observational comedy which is so prevalent today.
There's no black and no white...
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