Improbable bring Opening Skinner's Box to West Yorkshire Playhouse this month. Adapted from the 2005 book by Lauren Slater, the play recalls the bold and bizarre history of some of the most extraordinary psychological experiments of the 20th Century.
From the makers of Britain’s Got Bhangra comes a new musical based on the 7th century romantic tale of Laila. Set against a Persian landscape with contemporary song and dance, it is a show which charts the tragic story of star-crossed lovers, 700 years before Romeo and Juliet.
Celebrating its 21st anniversary, Riverdance hits Leeds Grand Theatre this month as part of a national tour.
The Irish line-dancing phenomena began as a performance piece in Dublin, supporting 1994's Eurovision Song Contest. This year the expanded dance show celebrates a landmark anniversary with a tour showcasing a cast of dancers born in the year of Riverdance's creation.
West Yorkshire Playhouse presents Great Expectations in the Quarry Theatre, in a new adaptation by Michael Eaton. A tale of fortune, favour, identity and destiny, the play follows the story of a blacksmith’s apprentice as he is funded by a mysterious donor to become a wealthy gentleman.
Charles Dickens' celebrated novel has been adapted for stage and screen numerous times with variable success. Michael Eaton's new imagining for West Yorkshire Playhouse attempts to capture the gothic intensity of the novel and is directed with an equally dark intent by Lucy Bailey. One of the draws of Dickens is the detail in his writing, be it character or place, and Bailey's production embraces a love of stage business and detailed dressing to bring that world to life.
Flying into West Yorkshire Playhouse for the festive season is Chitty Chitty Bang Bang, the musical adaptation from Ian Fleming's famous children's novel about an old racing car which takes on an adventurous life of its own.
Featuring a host of famous musical numbers from the 1968 film and the latter West End hit, the Playhouse present perhaps their biggest and boldest Christmas show yet. In a prudent move by Artistic Director James Brining, Chitty Chitty Bang Bang is staged in the heart of the Winter season and offers a daring alternative to the usual festive fare. Presenting an iconic story that promises spectacle, stunts and nostalgic anthems, it is event-theatre which delivers in abundance.
The Leeds City Varieties’ Rock 'n' Roll Panto is back for the festive season at West Yorkshire's beloved Music Hall. This year'’s jukebox pantomime is a bombastic mashup of a tale between Robin Hood and the Babes in the Wood, bridged by over a dozen chart-topping musical numbers.
The Rock 'n' Roll pantomime has become a welcome tradition at the intimate City Varieties theatre, capitalising on the Music Hall's cosy compactness and magical Victorian surroundings. Robin Hood and Babes in the Wood follows the same tradition of charm and punch as previous years, offering a dizzy romp with outrageously silly characters whilst underscored by superb Rock ‘n' Roll hits. Added value in this show comes from the fact that the entirety of the cast provide all of the music, exchanging instruments throughout scenes and providing a big-band sound within a pantomime landscape.
RashDash present We Want You To Watch at West Yorkshire Playhouse this month. Commissioned by The National Theatre, the script is penned by Alice Birch and examines the consequences of pornography in a digital world with the subsequent fallout from it being censored by a nation who appear addicted, desensitized and depraved.
West Yorkshire Playhouse opens a new season with its first in-house Shakespeare production for some time. Richard III is arguably one of Shakespeare's most brutal tragedies; a tale of jealousy and arch manipulation escalating in monstrous acts of violence, the play centres on a malcontent who will stop at nothing to gain access to the throne.
Paul Daniels has been performing internationally with The Intimate Magic Tour, offering a close-up illusion experience which promises: “you’ll never get closer”.
Tom Mothersdale dangles his bare feet in a moat of dark water as the audience take their seats. Behind him is a peeling stucco wall. "I have things up my sleeve,” he boasts. “But I am the opposite of a stage magician. He gives you illusion that has the appearance of truth. I give you truth in the pleasant disguise of illusion..." So begins the memory play which launched the career of Tennessee Williams, which is at West Yorkshire Playhouse this month.
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