Shooting 35mm motion picture film in a stills camera is always fun. It opens up a new world of experimentation with unique emulsions used in Hollywood and beyond.
The folks at CineStill now offer a low speed daylight film repacked from Kodak Vision 50D, whilst promising: "The exposure latitude of this film is beyond anything digital and even most other films can hope to achieve."
Shooting a roll over the Summer, I tried this film out and the results speak for themselves.
Those well-versed in black and white techniques often avoid side-stepping into the colour world and all of its differing technicalities. In truth, processing colour film, specifically C41, is arguably easier than a traditional black and white process. With minilabs closing down and a prevalence of C41 chemistry kits readily available, home processing of C41 is quickly becoming an option which is both time-saving and cost-saving.
Instructing film photography, developing and printing in the darkroom. © Samuel Payne 2016